From the start of Pedro Paramo, Juan Rulfo thrusts the
reader into a world of magical realism. From afar it appears Rulfo has thrust
you into this unknown world where nothing appears similar, however if the
reader is careful he is able to notice the surrounding world of connections
that Rulfo has built around you. Rulfo creates parallelism between the story of
Pedro Paramo and greek mythology from the very beginning of the story, the first
parallelism the reader comes across is the parallelism between Juan and Icarus.
Similar to Icarus Juan sets off towards this idea that he has placed as the
center of his very being, but once he comes to close to this idea he gets burnt
and falls and drowns. This parallelism helps the reader ecognze another
parallelism which is between Pedro Paramo and the sun, Pedro becomes a symbol
to Juan and eventually becomes something that he must attain.
“But before I knew it
my head began to swim with dreams
and my imagination took
flight. Little by little I began to build a world around a hope centered
on the man called Pedro
Paramo, the man who had been my mother's husband.”
Here
the reader can see Rulfos’ advanced use of diction and tone, he chooses diction
that contains a flight motif, and then employs the use of regretful tone. From
the very start Rulfo pulls out all his tricks to submerge the reader in this
magical yet real world that contains Pedro Paramo. Later in the chapter Rulfo begins to employ flashbacks and alternative narrative lines in what appears to be an attempt to confuse the reader, however one can recognize that Rulfo is actually approaching the story with a minimalist attitude so as to create more from less thus creating a literary masterpiece.
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